Hampton Fancher's Script - 1980
David Peoples' Script - 1981
 
Alternate Endings:
January 1980
December 1980
February 1981
June 1982

Alternate Endings

 

 

Ending from draft 12/22/80

EXT. BEACH - DAY 137

WAVES CRASH on a shore strewn with automobile carcasses, massive diesel engines, an infinity of serious junk and ridiculous garbage. The ocean is vomiting up rubber tires, a truck cab is floating in on the tide, huge billboards and plastic signs are bobbing on the greasy waves. Snow is falling.

Deckard and Rachael are two tiny figures on the beach.

DECKARD (V.O.)
She made me stop. She had
seen snow, but never white
snow and she had never seen
an ocean at all.

The waves are struggling to cough up a rusty car as we...

CUT TO:

EXT. THE BEACH (A SERIES OF JUMP CUT MOMENTS) - DAY 138

Rachael is playfully clowning around in the dirty sand, making drawings while Deckard sits uncomfortably on an inner tube.

DECKARD (V.O.)
I told her about Roy Batty holding
onto every second he had. She said
the great advantage to being alive
was having a choice.

Rachael is throwing sand balls at Deckard, who doesn't understand this sort of playfulness. He keeps ducking, obviously uncomfortable, secretly tickled. He doesn't know how to play, he doesn't even know how to approve of playing...but he's happy in his awkward way.

Then he's kissing her.

Then she's throwing sand at him again and he's pissed off because it's getting down his neck and she's laughing.

DECKARD (V.O.)
(continuing)
She told me it was the
happiest day of her life.

Rachael is guffawing at Deckard, who is really pissed.

DECKARD (V.O.)
(continuing)
Then she asked me to kill her.

Rachael is laughing so hard there are tears in her eyes.

CUT TO:

EXT. HIGHWAY - DAY 139

The highway of ruins whizzes past. We HEAR the sound of the SHOTS...THOK! THOK!

CUT TO:

INT. DECKARD'S CAR - MOVING - DAY 140

Deckard is driving grimly.

DECKARD (V.O.)
Part of me was glad. At least
they'd never touch her. But
there was nowhere I wanted to
go... nothing I wanted to do.
Yet I couldn't kill myself, it
wasn't my way.

CUT TO:

EXT. RUINS - EVENING 141

Deckard's car is stopped. He's sitting among the ruins staring at the evening sky. The sky is blank, mysterious.

DECKARD (V.O.)
It was too late now. They wouldn't
give me papers for the Colonies
even if I wanted them. It made me
wonder more than ever what they
do up there...I wondered who designs
the ones like me...what choices we
have...and which ones we just think
we have.

Deckard glances down and to his right. The picture of his wife and son is there on a chunk of cement by his wallet.

DECKARD (V.O.)
(continuing)
I wondered if I had really loved
her. I wondered which of my
memories were real and which
belonged to someone else.

We look at Deckard's somber face...CLOSER and CLOSER.

DECKARD (V.O.)
(continuing)
The great Tyrell hadn't designed
me, but whoever had, hadn't done
so much better. 'You're programmed
too,' she told me and she was right.
In my own modest way, I was a combat
model. Roy Batty was my late brother.

Deckard stares grimly at the sky and we...

FADE OUT.

THE END