Language Structures Index
| A |
![]() Add-ons to core language see Complements ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Bare infinitive see Verbal modes, then Infinitive (bare) | C |
Capitals see Nouns (proper) ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Complements of manner see Complements (modal) ![]() ![]() ![]() ![]() ![]() Complements (Target) see Complements of destination ![]() | top |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Countable / Uncountable see Partitive ![]() ![]() Demonstratives see Locators Dependent clause same as Subordinate clause ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Feminine see Noun gender Gender see Noun gender Genitive see Saxon Genitive Gerund see Verbal modes (Gerund) ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Main see clause (main) Masculine see Noun gender ![]() ![]() ![]() Modes: see ![]() ![]() Neuter see Noun gender ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Period see Punctuation / Full stop ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Principal see Clause (main) ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Saxon Genitive see Complement of belonging Self see Pronouns (personal) ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Subordinate see clause (subordinate) ![]() ![]() ![]() ![]() ![]() Tenses: see ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]()
Alexander, p. 42, introduces the notion of "Partitives". They are expressions conveying an idea of quantity for nouns which are not countable, that is which are thought of as a lump or a heap of something.
Due to the straightforwardness of their own partitive, English speakers don't easily master partitive constructions found in French or Italian (where the clause "May I have some bread?" becomes "Peux-je avoir du pain?" / "Posso avere del pane?")
In linguistics, it is a word that is derived from another word. "Electricity" derives from "electric", it is one of its derivatives.
It is a clause featuring the verb in infinitive mode. Examples:
"To be able to accept my limits" is an infinitive clause in a complex sentence after the pattern "Something is my goal". In the complex sentence the subject ("something") is blown up into an infinitive clause ("To be able to accept one's limits"). In the second example, "to share her room with other mates" is the object clause in a complex sentence based on pattern "She hates something". In English, infinitive clauses seldom show as such, as usually present participle or gerund are used rather than infinitive: Being able to accept my limits has always been my goal,
It is a unit of spoken language larger than a phoneme. The word 'nickel' has two syllables": "nick" + "el". Some of the rules for breaking a word up into syllables are:
It is one of a small set of speech sounds that are distinguished by the speakers. Represented between slashes by convention (/b/, /j/, /o/ ...), a phoneme is the minimal unit that serves to distinguish between meanings of words. The phonemes identified in the English languages are listed in a phonetic alphabets.
Only the symbols "I", "e", "{", "Q", "V", "U" and "@" are explained here.
To view the symbols of the international phonetic alphabet (which are different in shape and not computer-readable), go to:
The verb 'to be' (or 'become' and similar ones) that links the subject with the qualifier in the "TO BE + QUALIFIER" type of predicate. For example, in "Ronald is Pippette's brother" the copula is the underlined "is".
Read the excerpt which follows, where the meaning of historical present tense is given. Als Novalis stirbt, ist er 28 Jahre alt. *Novalis: a German poet
When something which happened long ago is reported in present tense, we have a stylistic figure known as historical present. This is often done in books on personalities of the past, to make the story-telling fast-paced or to bring the reader/listener - as it were - back to the time when particular events took place.
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